It's all in your point of view

Perspective. For an actor we call this Point of View and one’s point of view is built on your given circumstances. Last Thursday I attended a really great production of Neil Simon’s “Rumors” performed by the students at Wheaton College in Norton, MA. My nephew Alex Butcher-Nesbitt (remember that name, btw - you heard it here first) was in the cast and I must say he did a stellar job. Their timing was like greased lightning, the way great comedy must be played. On the whole the cast’s connection to each other was genuine and their understanding of the jokes was deep enough to make this play shine again. 

Juxtaposed against the events of that day; the brutal and fatal violence and on going manhunt just 30 miles away in Boston. It was a mind bender, and I must give credit to the director and young actors for knowing that their jobs that night were, in part, to give us a two hour break from the trauma of the bombings and ensuing tragedies. And the playwright deserves his due for illuminating our hypocrisy. In the first act, all the characters are claiming a knowledge that “something’s afoot” and spin tales based in small observations that they hold to be true, because, well... it’s fun to make up tales, isn’t it, even at the expense of another? In the second act, when it becomes clear that some characters may be harmed by their association to the events in the play, they suddenly deny any knowledge of anything, at all. In the end of course, the truth is so fantastical that no one could have ever dreamed it up, except Neil Simon, who blesses us all with a glimpse into our own personal need to know things if they serve us, and to deny all knowledge if they implicate us. 

On my long westbound drive back to Albany the following day, with emergency vehicles flying eastbound toward Boston, I had a good long think about the importance of our work as actors. How else can our society see it’s foibles and pitfalls in such easily digested forms like a silly comedy about silly people?

Hope to see you in the studio soon - Come tell your story with us. 

Vivian 

Welcome Spring... Have I mentioned recently how much I love my life? I am sitting here in my office at Sol Acting Academy listening to my new instructor Jessica Quindlen teach the new spring session of youth acting classes. It's amazing to hear the creative ideas pouring out into the space.

It's been a year since John and I bought Sol Acting Academy and we're coming up on a year in our new digs. As you enter the studio there is a wall of hand prints that students have been adding over the year. I did it because I thought it would look festive and give folks a sense of ownership. But today one of our young students was having a hard time seeing how she fit in to the group.  So she and I took a moment to visit the wall to see if we could find a handprint that was just the size of her hand. She tried on my handprint too, which let her see how much she was going to grow. It was so fun to see her then join the class, knowing that she had a place here. So often we have that sense of "where do I fit in this big picture" and it can make us want to shrink away from diving in fully. Now I know that all I have to do is look for the handprint of those who have come before to find my place and where I need to grow.

I took three months off from teaching to focus on my own performance work, as I felt like I was so busy teaching the craft that my own was slipping. What a beautiful and rewarding journey I've been on in the first quarter of 2013. Our shows were really well received in both NYC, Saratoga Springs and Albuquerque. Full houses in all locations and great feedback has led me to think that a longer run is in our future. Applications are in for the All For One Theater Festival  - an amazing festival in NYC that not only presents solo shows but supports the artists through out the year with help booking performances nationwide. So look for The Bark & The Tree in a theater near you later in the year!

And more great news is that I booked a day on the new film Things People Do starring Wes Bentley, directed by Saar Klein. I've really admired Saar's editing work for a very long time. Can't wait to see what he brings to directing of this movie.

Looking forward to starting the production meetings for a short film I wrote - planning to shoot this summer. A romantic comedy called Leverage about a public defender from NYC that moves to Santa Fe to start over after losing her husband to a sudden heart attack, starring, you guessed it... moi. Stay tuned!

Tickets on sale!

Exciting day today! Tickets now on sale for the Albuquerque show! Visit this link to get info and reserve. Thanks and more later!  http://barkandtree.brownpapertickets.com

Every day it's a gettin' closer

A little Buddy Holly to spark up the weekend. Always works for me.

Our NYC date is confirmed for March 2nd at 8pm. If you live in the New York area, I sincerely hope you can make it. Will post ticket information as soon as I have it. I was not expecting a Saturday night spot, and I am really happy about it, what an honor. It feels great to be working toward this.

A note about rehearsals. They seem slow and methodical at times. Other times we'll be shooting the breeze or playing with the beautiful Valentina (Magali's little girl). And that is the core of the creative process. Sometimes it's really intense. Other times light and slightly out of focus. It allows me to relax and feel more myself in the piece and after each session there's a lot more clarity.

Check out this beautiful post that David Dabney of Red Rooster Creative made!

I really love it. I am a performer, first and foremost, and a writer. I deal with tangibles like words and emotions in time and space. To have a creative team expanding the project is a new experience for me. It's a new experience to watch them take the tangibles that we bring out in discussion and translate them into the visual metaphor using light, sound, physical space, and design.

Here's the team: Lee Kitts - Director; Magali Henderson - Stage Manager; Karen Perlow - Lighting; Karen Anselm - set and costume; & Laura Pirard - Sound Design.

More next week!

Watching the Ravens and the Patriots duke it out. I love the Ravens, not because I am such a huge football fan, but because of what they pulled off last week up against the Broncos. They were at elevation, in 8 degree weather, never giving up even in the last 30 seconds. Talk about Never Give Up! I love the team, even though all I see when I watch football is big strong men sustaining irreversible brain damage voluntarily.

Today was a great day. We are remounting The Bark & The Tree and were able to get into The Cell Theater to check blocking and adjust things. Script still in hand, there are a few moments that are coming to life in new ways. Interesting that when I wrote and performed the play 3 years ago, I didn't really understand what it was about. Now, working with Lee Kitts, and having had time to sit with the material, the core of it is getting clear. It is a lesson in trust. It didn't really matter if I knew what the play was about. It was more important to get it up on the boards and let it unfold. It reminds me of some songwriters I've talked with who's song means one thing to them, but the audience has it's own experience and emotional response. Soon I will be able to sum up in one line what the meaning is for me . . . soon.

In attendance at the run through today was documentary film maker Donna Lee Wells (She Had Some Horses). She came to see us at work, and I believe is interested using the process of getting B & T up and running as the focus of her next project. I am looking forward to finding out what she has in mind. I hope it will have something to do with women of a certain age creating meaningful work!

We should have a date for the New York show this week. Time is flying! 

Well, that flew by...

Hello and Happy New Year, again... I am sitting at Annapurna's World Chai House in Albuquerque, sipping a "cup of productivity." The owner Yashoda Naidoo tells me it's all the oxygen the spices cause to flow into my bloodstream. I think it's the caffeine. I drink caffeine on special occasions now, like others turn to champagne. That's sound a bit pathetic, but trust me, I am much more entertaining caffeinated than filled with bubbles.

So happy new year! Last year was filled with a lot of forward momentum. After teaching at Sol Acting Academy for almost a year, John and I bought the place and moved it to a new location at 5500 San Mateo Blvd, NE in ABQ. It is a studio filled with joy, laughter, and some really GREAT acting work. I am so proud.

We also moved to a new home in Albuquerque. 2012 was a year where I don't think I sat down much, except on airplanes. A year filled with travel, and work, and family. It was quiet compared to the previous years that were preoccupied with the illnesses and loss of my dear in-laws. We celebrated the arrival of a new grand daughter, Francis Sophia Dillon-Varner and went to visit her and her loving parents in Germany. What a thrill! Pictures on Facebook!

I am calling 2013 the Year of Dreams Come True. I started this blog in 2009 taking small steps to explore the path back into acting. My goal was simply to enter into the profession again full time without going nuts. I've shared here the great learning experiences I have had along the way. I am really excited to say that many seeds of the dreams and goals are now starting flourish.

Which reminds me of this thing I learned. John and I visited a state park in eastern Arizona recently and I learned that there are these little tiny organisms that lay dormant in the sandstone. In their slumber they can withstand huge degree temperature differentials. Some scientists even shot them into space on the outside of a Space Shuttle to test this out. They can last over 50 years this way only to be revived, when the causes and conditions are correct, as a living shrimp-like organism  that thrives in rain water puddles that gather in the sandstone. Crazy.

So, if their dream of life can hold steadfast, mine can, too! Maybe this sounds goofy... sorry.

The Bark & The Tree is going to be in NYC, which means I will be, too, because where she goes I go... we'll be on at The Barrow Group's FAB Project festival of solo works March 1, 2, 3 2013. After that we'll be in ABQ for two nights at the Cell Theater as part of Women and Creativity Month March 16 & 17. I will be posting info here and on my FB page. Hope to see you at one of the shows!

And dream on... 

Getting the work out there

Happy New Year! I am back from a great trip east to New York visiting my mother. It included a trip to NYC where John and I met with several friends and had the great pleasure of seeing Other Desert Cities by Jon Robin Baitz at the historic Booth Theater on Broadway. What a great show. Stockard Channing, Stacy Keach, Rachel Griffith (in her Broadway debut), Judith Light, and Thomas Sadoski are an amazing ensemble.

Working on my classes at Sol Acting Academy, working on a short screen play, and doing some rewrites on The Bark & The Tree. I gave it to some friends in NYC who are solo performers themselves. Looking forward to their feedback. Also taking a great class with Leslie Becker -- she's fantastic... My favorite quote so far: What's holding you back from you dreams? The only reason you haven't done them yet... is because you haven't DONE IT YET. Everything else is story you tell yourself.

And here's some excitement! My reel is up on YouTube with clips from Breaking Bad, In Plain Sight, Law & Order: Special Victims Unit, Cyphers, The Incredible Voyage of Captain Hook and Mind Games.There is much to be said for self promotion. What I am discovering is that, while I may have told people that I have been on these shows... it doesn't sink in until they see it on screen. Several folks have commented on my FB page that they have seen all these pieces and didn't realize that it was me! So here it is to alleviate doubt and hopefully, attract more work!

Happy watching and have a blessed day!

Already?

It is so hard to believe that the holiday season is upon us already. I am truly stunned. Been blissfully buried in the process of rehearsing and performing The Memory of Water by Shelagh Stephenson. I had an intuition that this show was going to be the play of the season here in ABQ. My hunch proved correct by all accounts of theater goers and reviews. Check out Christie Chisholm's review in the ABQ Alibi by clicking here. So proud so proud so proud.

Another highlight of this year has been rekindling my chops as a teacher of acting. Haven't really done it in years but realized that my MFA was sort of curdling from lack of use... so out it came at Sol Acting Academy. I was literally on my way to Target to buy my new uniform... red shirt, khaki pants... to start training as a barrista in their Starbucks when the email came that Laura Mathis was looking for instructors. Whew. That was a close call. As grateful as I am to Target for offering me a job, working in my field is just... well... better.

The classes are amazing. People's talent just bowls me over. Sometimes its that turning point in the process where you see them simply and quietly slip into character without a trace of self consciousness or outside awareness... they just become part of the moment unfolding in the scene... having a real experience right there in front of us... Or the moment of complete mayhem in the midst of an improv when nobody knows what's going on, when suddenly the right lines, actions and behaviors burst forth bringing the whole scene to a hilarious conclusion. In both cases its that present moment awareness that swings the door wide to total immersion in the creative process.

And lucky me... I get to do it all again next year... only more so ...

Wishing you a blessed holiday season!

One of my new head shots from Kyle Zimmerman Photography ~ check out the rest at Pictage!

Dreams do come true

I first started this blog in March of 2009, while taking steps to reacquaint myself to the craft of acting after a 7 year hiatus. Since then, I have done ten projects. Four plays, two TV shows, and four films. I am beyond happy about this...

Today I am writing to celebrate having booked and filmed my first feature film role to work with a really interesting group of people. For me, it was a dream job, playing a woman of authority with sixteen (16) pages of dialogue in five scenes with the star of the film, the amazing Katia Winter. Five pages is a lot for a person who has only done a handful of day player roles. Sixteen pages of good dialogue is stunning. Its an Elevated Horror Film based in fact... check it out here... The Banshee Chapter.  I hope you like scary films.. this is one mofo of a scary movie. In a good way mind you. ;-)

I've been trying to write about the experience for almost a month, and have found myself in such a contented, non-reflective space that its been hard to find words or actually the inclination. Just been enjoying the ride.

In the first audition, I challenged my self to slow down. Take my time. Do all the things that Basil Hoffman talked about in his workshop. Put into gear the way I would approach a first reading of a theater piece. Connect, focus. etc. so the call back with director/writer Blair Erickson and producer Corey Moosa was a blast, because the note was - step on each others lines. Interrupt. have fun. Them's r notes I know how to take!

Couple of days past and the call from Lynette at O' Agency came while I was in an AA meeting. I had my phone turned off but half way through the meeting I got this warmth in my heart chakra and felt this giggle starting to well up inside. I was sitting with an old friend who was visiting from LA. I thought must be something about hanging out with pals from early sobriety... but it kept happening. I had to stifle it a couple of times. Of course, when I turned on the phone, there was the message. I had the offer from Before the Door Productions and Sunchaser Entertainment to play Olivia Kmiec in Blair Erickson's The Banshee Chapter.

I felt this calm come over me. Like a sort of "ahhhh.... " of satisfaction and happiness. I guess the best word for it is reassurance. Just felt so nice. More about the experience of shooting my scenes in a later post... with pictures too!

Art and Promotion

Ahh... the ageless balance between art and the marketplace. It plagues me, mostly when I am in Marketeer Mode for Art of the Song, but it does raise its head around my work as actor, teacher and all around "professional trying to make a living doing what I trained to do."

So often, when the subject of marketing and fundraising comes up, someone will roll their eyes and say, "Yes, if we could only just get paid to do what we love to do..." and with a heavy sigh, changes the subject.

I am fortunate that I trained a lot to do what I love well. As did all the scientists at Sandia Labs, and Intel. The difference is in the application that I have chosen. I did not go the academic route with my Masters degree, or into management. I trained to perform. What I am wrestling with is that the life plan for a management position or an academic is quite different than that of an indie performer/producer. So how does one create a model that becomes sustainable?

Three things come to mind:

• Honor that my creative work has an important role in the world, people's lives and my own
• Show up for the work as one would a nine - five job in the marketplace (it just may be 12 midnight to 3 am and another shift from 11 am - 6 pm)!
• Create a strategic plan, and an operating plan, and let them be as creative an expression as the writing or the performing.

okay actually six things:

• Rewards - my friend Deonne used to give herself french toast when she finished a particularly hideous, non creative job in service to her art...my favorite is Annapurna Chai... 
• Meditate & workout -  it really helps
• Gratitude list - again, a life saver. I have this low grade grumble that occurs in the back of my conscious thought that soaks up good memory like those pesky apps that launch and use up all the RAM on your desktop, slowing down your computer... Gratitude eliminates them pretty fast... 

So today, I am in full on markeeter mode, finishing our Not for Profit application, promoting our Indie Go Go campaign and by and large showing up in everyone's mailbox like that penny... but I choose to believe that its a penny you can save, spend and enjoy!

First Rehearsal

It's such a great thing. That first table read. A bit terrifying as we all do the getting to know you thing. Finding each other in this new space. Building this new world. But then, the scripts come out and the words start to flow. The characters begin to emerge as the rhythms and senses start to kick in to gear.


I am honored to be joining Camino Real Productions production of Rancho Pancho under the direction of Diane Malone. The play is a beautiful insight into the life of Tennessee Williams as seen through the eyes of his long time companion Pancho Rodriguez. Carson McCullers pays a steamy visit, and Margo Jones appears as well. Tennessee is played by Santiago Candelaria, Pancho by Benny Briseno, Carson is played by Tina Puglisi and I have the great pleasure of portraying Margo Jones.

Margo was the brains and much of the time the brawn behind the early development of regional theater as we know it today. What a thrill to dig into her life and thought process. There's a great video about her if you are interested, dear reader, called Sweet Tornado. I can't wait to see it.

Her directing credits included Summer and Smoke premier, Inherit the Wind's premier and the unveiling of Dark at the Top of the Stairs. What an ear for really good scripts. I hope some of her abilities rub off on me!

Audio Blog

Wonder of wonders... last week I was in Santa Fe for the first of four weeks of training as a facilitator of monologue work based on the work of my friend Tanya Taylor Rubenstein. I am really really really excited about the process and the opportunities. It is the perfect marriage (I know, I already have one...) between my life as a performing artist and the nagging feeling that I would also like to be doing more in the world.

Julia Cameron brought the 12 steps to those who had no 12 step program to turn to but needed one with her Artists Way. I am viewing this adventure as a means to bring all the meaning and value of actor training to those who only want to visit that particular ledge for a short time, rather than taking up residence there.

Here is an audio link to an essay that I did a while ago, talking about my entry into this path. Give it a listen and let me know what you think. Its less than five minutes long.

Click here for my Audio Essay about my Struggle with the Art vs Therapy question

Happy listening...

swear to god...

I will get better at posting regularly. It seems that every post starts that way. But now I am determined.

Since starting this blog a few years ago, I have been extremely lucky to find that the acting career I love is reciprocating ... a lot.

I am now 53 and the labyrinth has been filled with new adventures, amazing new colleagues and opportunities. I am continually amazed at how the universe responds when you surrender to your heart path and follow its lead.

2011 is providing two plays, a web series (Cyphers - awesome), and now adding teaching to the list.
Its been 7 years since I was in studio leading a class. And this is my first with teens, so its taking a bit of stretching the old brain cells into a more flexible and inspired place but the kids are incredible talents. The adult class is amazing, too. Such courage and grace!

In the coming weeks I'll be checking in with updates about the solo workshop I am taking with Tanya Taylor Rubenstein, as well as our rehearsals for Rancho Pancho (for which I am now a red head) about Tennessee Williams in ABQ.

Look for me here... I swear to god...

all's well

Well a lot has happened in the five months that I have gone missing from the Blogosphere! I shall keep it brief here and start posting regularly with more details...

First off, I was indeed accepted in to Solofest 2010 at the Filling Station. The Bark & the Tree was selected as one of the festival openers on Friday night, along with Linda Rodeck’s Action Improv piece. We had a great house of close to 50 people. Linda’s piece was brilliant. It was a mode of working that I had never seen used as solo performance. It is truly compelling work. All the plays through out the festival were fantastic.

The premier of my solo piece was very well received. I was so involved in the process of getting it finished, rehearsed and produced that it was a bit of a wild ride to the last. The first performance felt emotionally connected and informed, the second show, the following week at the end of the fest, felt like a runaway train. The staging by Eb Lottimer was active and served the piece well and greatly helped the mission of getting the play up and running.

I later performed the play in Taos, to two sold out houses of friends and Art of the Song listeners at the Metta Theatre. Bruce MacIntosh creates a lovely intimate room for performance that is beautifully suited to solo performance work. It was there that the truth of the play began to show its self. After a delicious week of rehearsal, all by myself in this delightful theater, the text became more grounded and home-like.

And it was there that I took the risk of Stillness. Stillness on stage can be terrifying for both the actor and the audience. If the actor is not completely engaged in their thought process during the Stillness, the audience will become unsure, believing ultimately that something is amiss. As a performer, I chose to go for The Stillness because in some instances I simply had to stop, think about where I was, and how I felt about it. I owed it to the play somehow, to take time with the events and give them air. The fearsome thing is that it become too self involved, tipping the balance into a wallow of self reflection.

Feedback relayed that the pace was just right, that the silence allowed the audience to catch up and dig in a little deeper. Whew.

more news... I am shooting a pilot for ABC Family this week, playing Coach Lee, coach of the tennis team in The Lying Game, a new TV series based on a book by Sara Shepard featuring Helen Slater. ;-)

Learning to think differently

Exciting times. I've been wearing my producer hat for a long time now for radio. Wearing it channels a way of thinking that is more concerned with the whats and hows of a project than than the whys and how it feels. While 28 pages of original material doesn't seem like much in the face of my husband's new 160 page book, or my friends 130,000 word memoir, it is still a considerable piece of work that required me to let go of the hows and what for a time and just be in the presence of "other."

This week however I have been back in a How and What comfort zone, but challenging the edges of my particular sand box of artistic expression by looking at the sound and light design for the piece. I contacted a designer, Karen Perlow, who's work I have admired both from the audience perspective and from the stage as an actor involved in her work. Learning to explain what my vision is and why I had written in a particular effect is a great exercise. As a rookie at this, I simply wrote down what I saw and heard in my minds senses. Karen asked questions, which made me deepen my own understanding of the effect. For example, she asked "Why a constellation effect" and it helped me understand that I was trying for a feeling of distance that can at once make you feel small and insignificant, but also open and filled with potential.

This is a new form of creative thinking and a new form of producing that I find to be very rewarding.

Oh yes, and the great news is I have been accepted into the Filling Station's Solo Fest! July 9-12 and July 16 -18. Dates are not firm yet but I will be performing twice, once each weekend. I'll keep you posted.

Gusty Winds May Exist

Its amazing to me how easy it is to slip into the feeling that once you are blown off course, you have a long road back. Glory hallelujah. I discovered that isn't true. Getting blown off course is sometimes be an important part of the process. Its taken 18 years to understand and accept that.

I am so excited to say that I have a 28 page script in hand!

The main gift of this process has been to allow myself the freedom to be a creative without the pressure of thinking that I need to be something or somewhere else.

I am ready to begin the rehearsal process. I also need to find a lighting designer, and start picking music. Meeting today with Lynn Miller to start the process of how to stage, and where to apply for performance gigs.

I am now a playwright of sorts. What a great feeling.

nuff said.

I found this beautiful Sinead O'Connor performance...The Women Of Ireland

She's baaack...

My life feels as if it is virtually everyone else's at the moment and I am trying to rectify that with a few hours in the anonymity of a busy cafe.

Taking refuge this morning from everyone and everything. To catch up with myself. Its amazing to think that it was a month ago that I was upstate and heading down to be in NYC. I really enjoyed being there.

The visit to the City was amazing. I had a lot of time to myself and reconnected to a strength and a fragility that I had forgotten out here in the desert. To be in there again awakened the dichotomy of individuality and connectedness that I had lost track of in the west. I deeply love and miss the humanity of New York City. The collision of dreams and passion, with the day to day work of maintaining a life there; getting where you need to be, in the time you have to do it, with a measure of tranquility in the face of insanity.

I love it. I miss it. I need it. I know that I need New Mexico too. So how that is all going to work out, I do not know.

I visited with my old agent. Feels like we have more in common now than before. She has a 20 hours of footage about the place we met... Claremont Riding Academy. A real piece of history that was closed a number of years ago. We may work on it together... would be big fun... I did drum up the courage to ask if she would represent me if I lived there again... She didn't say no which is fantastic.

I visited with some dear friends from Grad School which was great and reminded me why I need NM. The spacious spiritual core that comes from living here is an essential part of my life now.

In some way it seems that the two places run the same energy ... the one an intense human experience in the company of 17 million people in a manufactured world, the other an intense human experience in the company of a few people, in a world manufactured by the sky, the wind and a little rain. But the energy in both feels like it has a similar root, none the less.

NYC and NM are like the flip sides of my favorite 45 ... at once A & B.

Successful visit to the cafe, produced 6 more pages to my play. I need to have a draft by the end of May so I can rehearse in June.

Cheer me on?

victorious

What is it about setting a schedule, getting into a routine and then having a trip come up that creates a disruption in the pattern? Its seems to be more the norm than having an unencumbered schedule.

But I am victorious. Even with a travel day and visiting with my mother, I have gotten three new pages written. I like writing on planes, so I swapped Tuesday for Wednesday and wrote more.

I remembered some images from a stab at a memoir a few years ago. So I have stripped it for parts and am including the more arresting rhythmical language in the solo piece. And tonight I am sending to two friends.

Very tired... but wanted to be sure to get something up here before the week got away.

Being on the east coast feels really good. I love Upstate New York. So glad to be here for a bit.

Resting my eyes now...

One of these things is not like the other...

Our solo work class started on Monday with a great small group of people. So interesting that it all happened organically. Glad to have the input of Lynn Miller and my classmates to support the work.

Today is a really good day. I have been writing from within today. An improvement over obsessing on the externals and the obstacles. A day of focus feeling my way into the script with music and poetry. I found a song that has some particularly poignant lyrics around the loyalty theme called A Nobleman's Wedding and learned it... playing and singing brought me to a very grounded place, as music always will.

There is a line in the song that references "Never come between the bark and the tree." Its such a powerful image. We know that when the bark is separated from the tree, the tree will die. So I have been playing with the idea. That must be how an deported Irish citizen, deported by a foreign government from their own ancestral land must have felt. As if they had been separated from all that protected and supported them. Perhaps that is how Eva felt... that she had separated the bark from the tree when she told Kevin to turn down the plea agreement in favor of 7 years transportation to a penal colony in Van Dieman's Land. I know that neither of them were ever the same again.

When the writing slowed up I started a list of how Eva and I are similar and how we are different. Surprised to find that we are very much the same, and very very different in ways I wouldn't have expected.

Also made some plans for my trip to NYC and have an appointment to visit with Marilynn Scott Murphy, of Professional Artists, the agent I was with when I lived & worked there. It was like yesterday, and I have been gone 10 years. Need to process that a little... okay... a lot.

Feeling really good about the work even though I know I have a long way to go. That's what its about isn't it? Having faith in the project and putting in the hours?