all's well

Well a lot has happened in the five months that I have gone missing from the Blogosphere! I shall keep it brief here and start posting regularly with more details...

First off, I was indeed accepted in to Solofest 2010 at the Filling Station. The Bark & the Tree was selected as one of the festival openers on Friday night, along with Linda Rodeck’s Action Improv piece. We had a great house of close to 50 people. Linda’s piece was brilliant. It was a mode of working that I had never seen used as solo performance. It is truly compelling work. All the plays through out the festival were fantastic.

The premier of my solo piece was very well received. I was so involved in the process of getting it finished, rehearsed and produced that it was a bit of a wild ride to the last. The first performance felt emotionally connected and informed, the second show, the following week at the end of the fest, felt like a runaway train. The staging by Eb Lottimer was active and served the piece well and greatly helped the mission of getting the play up and running.

I later performed the play in Taos, to two sold out houses of friends and Art of the Song listeners at the Metta Theatre. Bruce MacIntosh creates a lovely intimate room for performance that is beautifully suited to solo performance work. It was there that the truth of the play began to show its self. After a delicious week of rehearsal, all by myself in this delightful theater, the text became more grounded and home-like.

And it was there that I took the risk of Stillness. Stillness on stage can be terrifying for both the actor and the audience. If the actor is not completely engaged in their thought process during the Stillness, the audience will become unsure, believing ultimately that something is amiss. As a performer, I chose to go for The Stillness because in some instances I simply had to stop, think about where I was, and how I felt about it. I owed it to the play somehow, to take time with the events and give them air. The fearsome thing is that it become too self involved, tipping the balance into a wallow of self reflection.

Feedback relayed that the pace was just right, that the silence allowed the audience to catch up and dig in a little deeper. Whew.

more news... I am shooting a pilot for ABC Family this week, playing Coach Lee, coach of the tennis team in The Lying Game, a new TV series based on a book by Sara Shepard featuring Helen Slater. ;-)

Learning to think differently

Exciting times. I've been wearing my producer hat for a long time now for radio. Wearing it channels a way of thinking that is more concerned with the whats and hows of a project than than the whys and how it feels. While 28 pages of original material doesn't seem like much in the face of my husband's new 160 page book, or my friends 130,000 word memoir, it is still a considerable piece of work that required me to let go of the hows and what for a time and just be in the presence of "other."

This week however I have been back in a How and What comfort zone, but challenging the edges of my particular sand box of artistic expression by looking at the sound and light design for the piece. I contacted a designer, Karen Perlow, who's work I have admired both from the audience perspective and from the stage as an actor involved in her work. Learning to explain what my vision is and why I had written in a particular effect is a great exercise. As a rookie at this, I simply wrote down what I saw and heard in my minds senses. Karen asked questions, which made me deepen my own understanding of the effect. For example, she asked "Why a constellation effect" and it helped me understand that I was trying for a feeling of distance that can at once make you feel small and insignificant, but also open and filled with potential.

This is a new form of creative thinking and a new form of producing that I find to be very rewarding.

Oh yes, and the great news is I have been accepted into the Filling Station's Solo Fest! July 9-12 and July 16 -18. Dates are not firm yet but I will be performing twice, once each weekend. I'll keep you posted.

Gusty Winds May Exist

Its amazing to me how easy it is to slip into the feeling that once you are blown off course, you have a long road back. Glory hallelujah. I discovered that isn't true. Getting blown off course is sometimes be an important part of the process. Its taken 18 years to understand and accept that.

I am so excited to say that I have a 28 page script in hand!

The main gift of this process has been to allow myself the freedom to be a creative without the pressure of thinking that I need to be something or somewhere else.

I am ready to begin the rehearsal process. I also need to find a lighting designer, and start picking music. Meeting today with Lynn Miller to start the process of how to stage, and where to apply for performance gigs.

I am now a playwright of sorts. What a great feeling.